Exhibit
May 5 - June 30, 2012
In conjunction with the Dale Chihuly show at the Arboretum, the Museum will be displaying art glass by Dallas artists Mary Lynn Devereux and Polly Gessell
Arcadia Salon
Sunday, May 20, 2:00
Evolution of An Idea
The Texas Sculpture Association sponsors this program featuring never-before-seen New Interchangeable Art by Morton Rachofsky.
Arcadia Salon
Thursday, June 14, 5:30
Jennifer Way, Ph.D., professor of Art History at University of North Texas, discusses the work of Melé within the context of concrete art, constructivism, and geometric abstraction.
Opening Reception
Friday, July 20, 6:30
Three African-American Artists: Kevin Cole, Albert Shaw, and Jack White curated by Phillip Collins
Cáceres
Sobrea was born in Chilecito, La Rioja, Argentina, in 1923. He traveled
to Buenos Aires to study in the Escuela Superior de Bellas Artes. In
1953 he went to France, where he frequented the studio of Fernand Leger
and where he met other artists from South America, Jesus Rafael Soto
and Narciso Debourg. Together they went to cabarets where they interpreted
the folk songs of Latin America. He attended the National School of
Architecture in Paris, and was employed as a professor there. He also
studied at Paris' School of Fine Arts and Design.
Three years later Cáceres Sobrea returned to Argentina and was named Cultural Director for his native province. He created a Theater School, a Music Conservatory, an Institute of Fine Arts and a school for artisans.
With a change of government in 1962, Cáceres Sobrea fled to France, where he lived in exile. In 1980 he moved to Gif Sur Yvette, where he still lives and works.
It is in France that he developed his artistic style, and began to be exhibited in museums and galleries. His geometric abstractions were not only on canvas, but also were architectural works like schools, factories and buildings, for which he made use of his architectural training.



